Sahana Rahman’s creative journey is deeply intertwined with her multicultural heritage and her exploration of South Asian art forms. Growing up in Te Whanganui-a-Tara to a Bangladeshi father and Sri Lankan Tamil mother, Rahman often found herself caught between two cultural identities. As she navigated this journey, her passion for the arts became a means of reconnecting with her roots. After pursuing a fine arts degree at Massey University, Rahman began to explore traditional South Asian techniques, seeking a way to ground herself in her heritage. 

Rahman’s work is a vibrant fusion of South Asian embroidery and modern, personal storytelling. Drawing from traditional techniques, she crafts pieces that honour communal creativity and the power of shared experiences. The process of handcrafting each piece using Shisha and Nokshi Kotha embroidery carry profound cultural significance, preserving the stories and wisdom of past generations. 

Shisha embroidery, which uses small mirrors or reflective elements, has been a part of South Asian art for centuries, symbolising light, protection, and spiritual reflection. The technique’s intricate stitching transforms mirrors into symbolic portals of inner reflection and connection. Similarly, Nokshi Kotha, a communal form of embroidery practiced by women in Bangladesh, serves not only as a creative outlet but also as a collective healing practice. Rahman helps preserve the cultural heritage and communal values they represent, while also connecting them to contemporary practices of personal reflection and healing.